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AFRIFF 15 Builds a Seven-Day Film Community Around Screenings, Skills and Deals

Discover AFRIFF 15’s Lagos programme, from 68 films and free masterclasses to networking sessions and a market connecting African scree...

AFRIFF 15 Builds a Seven-Day Film Community Around Screenings, Skills and Deals

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Sunday, October 25, 2026

AFRIFF 15 Builds a Seven-Day Film Community Around Screenings, Skills and Deals

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AFRIFF 15 Builds a Seven-Day Film Community Around Screenings, Skills and Deals

Discover AFRIFF 15’s Lagos programme, from 68 films and free masterclasses to networking sessions and a market connecting African screen talent.

For seven days in November, AFRIFF 15 will turn Lagos into a meeting point for audiences, emerging talent and established screen professionals. Running from November 1–7, 2026, the Africa International Film Festival combines movie discovery with practical learning, networking and deal-making under the theme “Frames of the Future: Africa’s Creative Intelligence.”

That mix makes the festival relevant beyond the red carpet. For Nollywood viewers, it offers a concentrated way to discover new work. For actors, filmmakers and producers, it creates multiple routes into a working film community where creative ideas can move towards collaboration, financing and distribution.

A 68-film selection led by Lady

AFRIFF’s official selection page currently lists 68 films across seven categories. Olive Nwosu’s Lady has been named as the opening movie, setting the tone for a programme that includes dedicated attention to new voices, women in film, African co-productions and cross-border cinema.

These different programme strands should help viewers navigate a substantial selection without treating the festival as one long screening schedule. They also provide useful discovery points for diaspora audiences and industry professionals interested in how African stories are travelling between countries and creative communities.

Free masterclasses open another door

The festival is advertising 11 free masterclasses and workshops, although registration is required. Facilitators listed by AFRIFF include Richard Mofe-Damijo, Femi Adebayo, Hilda Dokubo and Obinna Okerekeocha.

For emerging creatives, these sessions may be among the most practical parts of the week. They position AFRIFF as a place to build skills and encounter experienced practitioners, rather than simply watch completed films from a distance.

Where introductions can become opportunities

Networking runs through the programme. Informal screening meetups are scheduled from November 1–6, while curated industry meetings will take place from November 2–5. The festival closes on November 7 with the Globe Awards and a closing party.

The Africa Film & Content Market, also running from November 2–5, brings the business layer into sharper focus. It is designed to connect creators with buyers, investors and distributors around finance, partnerships and distribution—areas that can determine whether African screen projects find audiences beyond their initial release.

AFRIFF 15 therefore offers several ways to participate: discovering films, learning from practitioners, meeting collaborators or pursuing commercial connections. That breadth is what could make its seven-day Lagos programme valuable to both movie lovers and the people building the next wave of African screen entertainment.

Join the conversation

Which part of AFRIFF 15 would interest you most: the film selection, free masterclasses, networking sessions or content market?

Share your thoughts in the comments below.


Sources

Source links used to research and verify this article:

Africa International Film Festival
AFRIFF Official Programme
AFRIFF Programme Schedule
AFRIFF Masterclasses and Workshops
AFRIFF Networking Programme
Africa Film & Content Market

Saturday, October 24, 2026

Nollywood News: Matters of the Heart Brings Sarian Martin and Timini Egbuson to YouTube

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Matters of the Heart starring Sarian Martin, Timini Egbuson and Audrey Harrison

Matters of the Heart brings Sarian Martin, Timini Egbuson and Audrey Harrison to YouTube, drawing 6.5 million views in under two weeks after its release.

Matters of the Heart has become a notable new Nollywood release on YouTube, pairing established screen talents with the reach of a producer-owned channel. The romantic drama premiered free on Sarian Martin TV on October 11, 2026, and quickly attracted millions of views.

Running approximately one hour and 43 minutes, the full-length movie stars Sarian Martin, Timini Egbuson and Audrey Harrison. Its early performance makes the release worth watching for audiences interested in new Nigerian films—and for producers following YouTube's growing role in Nollywood distribution.

A Romance Shaped by Unresolved Feelings

The official description presents Matters of the Heart as an emotional drama about love, trust, sacrifice and the difficult decisions that can define relationships.

Nollywood.com describes the story as a reunion between childhood sweethearts whose unresolved feelings collide with their existing commitments. The publication identifies Timini Egbuson as Hakeem and Audrey Harrison as Sophia, placing romantic history and present-day responsibility at the centre of the conflict.

That premise gives viewers a familiar relationship dilemma while leaving room for the cast to explore the emotional cost of choices involving more than one person.

Millions of Views in Under Two Weeks

The audience response has been significant. FilmFlux listed Matters of the Heart among its trending Nollywood titles, with accessible video data showing approximately 6.5 million views by October 24. Punch had separately reported that the movie drew about 6.1 million views within its first 11 days.

Those figures represent different snapshots of the same fast-moving release, but both point to strong early discovery. For this edition of Nollywood News, the numbers also underline how quickly a feature film can find a large audience when it is released through an established creator channel.

Why the YouTube Release Matters

Punch highlighted Sarian Martin while examining women building producer-owned audiences on YouTube. Matters of the Heart offers a current example of that model: a recognisable cast, a complete movie available without a paywall and direct access to viewers in Nigeria and across the diaspora.

For Nollywood fans searching for a new romance to stream, the film is immediately accessible on Sarian Martin's official channel. For filmmakers and producers, its early reach is another useful signal that YouTube remains an important space for audience building, movie discovery and direct distribution.

Join the Conversation

Will you be adding Matters of the Heart to your Nollywood YouTube watchlist?

Share your thoughts in the comments below.


Sources

Source links used to research and verify this article:

Sarian Martin TV on YouTube
Nollywood.com
Punch
FilmFlux

FIFP 2026 Builds a Five-Day Pan-African Film Community in Cannes

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Official FIFP 2026 poster for the 23rd Festival International du Film Panafricain de Cannes, October 21–25, 2026

Official FIFP 2026 festival poster. Image courtesy of Festival International du Film Panafricain de Cannes.

FIFP 2026 brings over 50 films, debates, workshops and a Pan-African market to Cannes, building a discovery space for African cinema and diaspora voices.

For African film audiences looking beyond mainstream release channels, the Festival International du Film Panafricain de Cannes offers a timely discovery window. Its 23rd edition is currently bringing films, filmmakers and cultural voices from Africa and its diasporas together in Cannes through Sunday, October 25, 2026.

Held principally at Espace Miramar, with its gala at Hôtel Martinez, FIFP 2026 is designed as more than an awards event. The five-day programme combines screenings with conversations, professional meetings and cultural showcases, building an international community around independent Pan-African cinema.

More Than 50 Films Across Five Days

According to the City of Cannes, this year's festival features more than 50 films alongside conferences, debates, concerts and exhibitions. The official programme includes the Dikalo Awards competition, premieres, special screenings and daily film sessions leading into the closing ceremony on October 25.

The festival says its selected works explore identity, migration, memory, resistance, love and cultural transmission across Africa and the diaspora. That range gives viewers an opportunity to discover stories that may not yet have conventional theatrical, television or streaming visibility.

A Meeting Point for Filmmakers and Audiences

FIFP's wider value lies in the activity surrounding the screenings. Professional meetings, thematic debates, workshops and networking sessions create opportunities for filmmakers, producers and other industry participants to exchange ideas and form connections.

The Salon Panafricain, a market devoted to art and culture, expands that approach beyond the cinema hall. Festival materials project attendance by more than 400 professionals and list over 20 conferences, workshops, showcases and literary cafés, while the organiser promotes participation connected to 60 countries.

Public access remains part of the event's structure. The City of Cannes lists individual screenings and conferences at €5, free admission for Cannes residents and a €30 festival pass.

Visitors can explore the full programme and ticketing information on the official FIFP 2026 website.

Why FIFP Matters to Nollywood Followers

For Nollywood filmmakers and viewers, FIFP illustrates how African films can travel through festivals even when they sit outside familiar cinema and YouTube discovery routes. Screenings can introduce work to new audiences, while workshops, debates and professional gatherings can support relationships across countries and creative sectors.

As FIFP 2026 approaches its closing ceremony, its most useful lesson may be that discovery depends on more than placing films on a schedule. By connecting cinema with dialogue, culture and industry access, the festival gives African and diaspora storytelling a shared international space.

Join the Conversation

Which part of a Pan-African festival programme would most help you discover new films: screenings, filmmaker discussions, workshops or cultural markets?

Share your thoughts in the comments below.


Sources

Sources used to research and verify this article:

Actor Spotlight: Ayo Edebiri Leads Apple TV's Prodigies Ahead of February Premiere

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Ayo Edebiri and Will Sharpe in Apple TV's romantic comedy series Prodigies, premiering February 10, 2027

Image courtesy of Apple TV.

Actor Spotlight on Ayo Edebiri as she stars in and executive produces Apple TV's romantic comedy series Prodigies, premiering globally February 10, 2027.

Ayo Edebiri is moving into her next major screen chapter with Prodigies, an Apple TV romantic comedy that places her in front of the camera and among the project's executive producers. Newly released first-look images now give audiences an early glimpse of the series before its global premiere on February 10, 2027.

For this Actor Spotlight, the attraction goes beyond a new leading role. Edebiri's combination of performance and executive production reflects an expanding creative position, while her Nigerian paternal heritage gives the project added resonance for African and diaspora viewers following her career.

A Relationship Shaped by Exceptional Childhoods

Edebiri plays Didi opposite Will Sharpe as Ren. Apple TV describes Prodigies as an unconventional romantic comedy about two former child prodigies reconsidering the relationship they have shared throughout their lives.

Sharpe created, wrote and directed the series. He also stars and serves as an executive producer, making the production a particularly concentrated creative collaboration between its two leads.

The seven-episode season will open globally with two episodes on February 10. One new episode will then arrive each week through March 17, 2027, giving the relationship-driven story room to unfold beyond its Valentine-period launch.

A Notable Ensemble Joins Edebiri and Sharpe

The SISTER Pictures production surrounds its central pairing with a wide-ranging cast. John Malkovich, Tobias Menzies, Yumi Asō, Maria Bakalova, Sophia Di Martino, Rina Sawayama, Reece Shearsmith, Meera Syal and Andrene Ward-Hammond are all set to appear.

Apple TV announced the premiere schedule and unveiled the first official images on October 9, 2026. Although no official trailer was included with the announcement, the images establish Edebiri and Sharpe as the clear emotional centre of the series.

Why Prodigies Matters for African Screen Audiences

Edebiri's established international profile and Nigerian family connection make her career especially relevant to viewers interested in how performers with African heritage build influence across global entertainment. Her executive producer credit is equally significant for actors and filmmakers watching how creative participation can extend beyond performance.

With a worldwide rollout, a compact weekly release schedule and two distinctive performers leading the story, Prodigies arrives as both a relationship comedy and another important step in Edebiri's evolving career.

Join the Conversation

Are you most interested in seeing Ayo Edebiri's performance in Prodigies or how her executive producer role shapes this next career chapter?

Share your thoughts in the comments below.


Sources

Sources used to research and verify this article:

Movie Review: A Land Apart Reimagines Nigerian Power Through Agriculture and Inheritance

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A Land Apart (2026) official movie poster featuring the cast of Bem Pever's Nigerian political thriller

Our A Land Apart Movie Review explores Bem Pever's alternate Nigeria, where agriculture, inheritance and political power drive a bold new thriller.

A Land Apart arrives in Nigerian cinemas with a provocative question: what might the country look like if its wealth and international influence came from agriculture rather than petroleum? Directed by Bem Pever, the political thriller opened on October 23, 2026, following a festival run that gave it a significant early endorsement.

This movie review finds the film's greatest attraction in that alternate-history premise. Instead of treating Nigeria's familiar oil economy as inevitable, A Land Apart shifts the struggle for national power towards farmland, food production and inheritance. It is an imaginative reversal that gives Nollywood fresh territory for examining resource control.

A Family Struggle With National Consequences

Written by Emil Garuba and Echobu Michael Garuba, the story centres on Dooshima Bida Ahura, a secret heir played by Princess Mufeedah. Her place within a contested succession connects an intimate family question to the much larger issue of who controls a powerful agricultural nation.

That combination is the film's most compelling creative choice. Inheritance is not presented merely as private wealth passing between relatives; it becomes a route to political authority. The premise allows the thriller to bring food security, land and leadership into the same dramatic conversation without relying on Nollywood's more familiar petroleum-centred vision of national influence.

An Ensemble Built for Political Drama

Princess Mufeedah is surrounded by an established ensemble that includes Richard Mofe-Damijo, Daniel Etim Effiong, Sam Dede, Frank Donga and the late Onyeka Onwenu. The mix of generations suits a story concerned with succession, legacy and competing claims to power.

Produced by Take 7 Media & Entertainment in association with Sutoritera Limited, A Land Apart also carries notable festival recognition. The official Zanzibar International Film Festival winners register names Pever's film as the festival's 2026 Best Film.

A Timely Experiment in Speculative Nollywood

Festival honours are not a substitute for audience response, and reliable opening-weekend figures or audience scores were not yet available in the research. Still, the award strengthens the film's discovery profile as Nile Entertainment brings it to Nigerian cinemas.

More importantly, A Land Apart shows how speculative storytelling can help Nollywood reconsider the forces shaping Nigeria. By making agriculture the foundation of global power, the film turns land and inheritance into instruments of political suspense. Its central idea alone makes it a distinctive cinema option for viewers interested in ambitious Nigerian stories.

Join the Conversation

Does an agriculture-powered alternate Nigeria offer a compelling foundation for a Nollywood political thriller?

Share your thoughts in the comments below.


Sources

Sources used to research and verify this article:

Audience Trends: How Call of My Life Found a Festival Community Beyond Nigeria

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Audience Trends: How Call of My Life Found a Festival Community Beyond Nigeria

Call of My Life’s BlackStar audience award shows how festival community, filmmaker access and grassroots promotion can help Nollywood travel abroad and connect.

Call of My Life has secured an important international audience signal for Nollywood. BlackStar Projects announced on August 11, 2026, that the romantic comedy won the Favorite Feature Narrative audience award at the 2026 BlackStar Film Festival in Philadelphia.

Unlike a jury prize, the recognition reflects the preferences of festival viewers. That distinction makes the result especially relevant to Nigerian filmmakers seeking evidence that culturally specific stories can connect with audiences beyond their home market.

An audience award in a crowded festival programme

Directed by Dammy Twitch and written by Uzoamaka Power, Call of My Life had its United States festival premiere on August 7 at Philadelphia’s Perelman Theater. Power also stars alongside Andrew Yaw Bunting, Zubby Michael, Nkem Owoh, Patience Ozokwor, Beverly Osu and Broda Shaggi.

The film competed for attention within a BlackStar programme comprising 91 films from more than 30 countries. Its audience award therefore stands out as more than a ceremonial appearance on the festival circuit: viewers selected it from a substantial international offering.

BlackStar Projects reported thousands of attendees, record sales and multiple sold-out screenings during a festival built around films, conversations and community gatherings. That environment matters because discovery was not limited to a single screening. Filmmaker access, discussion and shared experiences gave audiences more opportunities to form a connection with the work.

Grassroots promotion can begin with the crew

The film’s path also offers a practical marketing lesson. In an interview published by PiggyVest, producer Blessing Uzzi said the campaign highlighted crew members and drew on their personal communities and relationships to build anticipation. She also pointed to the positive response to the trailer.

For Nollywood producers, that approach shows the value of treating cast and crew members as active participants in audience-building. Personal recommendations and professional networks can create momentum before a film enters cinemas, festivals or digital distribution.

What the BlackStar result signals for Nollywood

The award does not provide box-office figures or guarantee wider distribution. It does, however, offer a credible measure of audience enthusiasm in an international festival setting.

For Nollywood, the larger opportunity lies in combining strong storytelling with spaces where viewers can meet filmmakers, discuss films and advocate for discoveries. Call of My Life shows how a festival community can extend a Nigerian title’s cultural reach and give it a life beyond its initial domestic campaign.

Join the conversation

Can festival audience awards help more Nollywood films build lasting interest outside Nigeria?

Share your thoughts in the comments below.


Sources

Source links used to research and verify this article:

BlackStar Projects — 2026 Award Winners
BlackStar Projects — Call of My Life
BlackStar Projects — 2026 Festival Lineup
PiggyVest

Filmmaker Spotlight: David Fincher Reframes Cliff Booth as a 1977 Los Angeles Crime Story

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Filmmaker Spotlight: David Fincher Reframes Cliff Booth as a 1977 Los Angeles Crime Story

David Fincher reframes Cliff Booth’s return as a 1977 Los Angeles crime story, with Brad Pitt heading to IMAX before its global Netflix streaming debut.

David Fincher is taking Cliff Booth somewhere darker. Netflix’s first-look package for The Further Mis-Adventures of Cliff Booth, released on October 21, reveals a 1977 Los Angeles crime story rather than a straightforward imitation of Quentin Tarantino’s Once Upon a Time in Hollywood. Brad Pitt returns as Booth, now working as a Hollywood fixer eight years after the earlier film’s events.

Fincher finds a new route into Tarantino’s world

For this Filmmaker Spotlight, the crucial detail is Fincher’s decision to approach the material primarily as a story about Los Angeles. Tarantino wrote the screenplay, but Fincher’s perspective appears designed to give Booth’s return its own identity. Netflix’s account of the production describes a world populated by agents, aging stunt performers and ego-driven television actors.

Fincher also cited the 1975 film Shampoo while discussing the period setting. That reference suggests that the city’s personalities, professional anxieties and shifting social atmosphere will matter as much as Hollywood machinery. Booth remains connected to the entertainment business, but the film’s crime-story framework gives Fincher room to examine the people surviving around its edges.

A 230-page screenplay becomes a focused feature

Fincher told Empire, as reported by TheWrap, that Tarantino’s first draft ran approximately 230 pages and effectively contained two movies. About 60 pages were removed while shaping the feature. Netflix lists the completed film at two hours and 21 minutes, indicating that the adaptation remains substantial even after that extensive restructuring.

The supporting cast includes Elizabeth Debicki, Scott Caan, Carla Gugino, Yahya Abdul-Mateen II, Peter Weller, Matt Groove and JB Tadena. Netflix will launch the film in an exclusive two-week global IMAX engagement beginning November 25, 2026, followed by its streaming premiere on December 23.

Why this creative handover matters

Netflix’s verified YouTube title announcement had attracted approximately 453,000 views and 5,800 likes when checked on October 24, signalling early curiosity around Pitt’s return and the Fincher-Tarantino collaboration. More importantly for filmmakers, the project demonstrates how a director can inherit a familiar character while establishing a distinct visual and narrative route into the material.

That creative balance is relevant well beyond Hollywood. For Nollywood and African screen storytellers working across sequels, franchises and producer-led projects, Fincher’s approach offers a useful production question: how can established material retain its identity while still reflecting a new director’s voice?

Join the conversation

Do you think Fincher’s Los Angeles crime-story approach is the right direction for Cliff Booth’s return?

Share your thoughts in the comments below.


Sources

Source links used to research and verify this article:

Netflix Tudum
Netflix Media Center
TheWrap
Netflix on YouTube

Friday, October 23, 2026

Aaron Pierre Named “The Beacon” as Esquire Honours Hollywood’s Rising Star at 2026 Better Men Awards

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Photo: Olivia Lifungula / Esquire UK. Styling: Lewis Munro.

Aaron Pierre takes centre stage at Esquire UK's 2026 Better Men Honours, earning recognition as "The Beacon" while celebrating another milestone in his rising international career.

Hollywood has no shortage of leading men, but Aaron Pierre is making a compelling case for being something more. The British actor, whose commanding performances have captivated audiences from Netflix to Disney and the DC Universe, has been recognised by Esquire UK as one of the influential men helping shape contemporary culture.

On Wednesday, October 21, 2026, Pierre attended the Esquire Better Men Honours at Dante Mayfair, Claridge's, in London, where he was among the personalities receiving recognition.

The celebration followed his appearance in Esquire UK's November/December 2026 Better Men issue, which featured the actor on a striking cover bearing the title "The Beacon."

It is an intriguing description for a performer whose career has moved from acclaimed television drama to Hollywood's biggest entertainment franchises.

But what exactly makes Pierre one of Esquire's Better Men, and why is this latest recognition attracting attention?

Aaron Pierre Receives His Esquire Better Men Honour

The Better Men Honours celebrate influential figures whose work and public presence contribute to conversations about modern masculinity.

The initiative recognises individuals across entertainment, fashion, culture and other fields, with an emphasis on more thoughtful and open-minded approaches to being a man in contemporary society.

According to Red Carpet Fashion Awards' coverage published on October 22, Pierre attended the London ceremony alongside fellow honourees Tom Hiddleston and fashion designer Haider Ackermann.

The publication specifically confirmed that the three attended to receive their honours.

For Pierre, this was recognition beyond any single character, film or television performance.

It placed him among public figures being celebrated for their broader cultural influence.

Why Esquire Called Aaron Pierre "The Beacon"

Perhaps the most compelling part of Pierre's Esquire recognition is the presentation of his cover.

Rather than simply introducing him as another Hollywood star, the magazine gave the British actor the designation "The Beacon."

The cover was photographed by Olivia Lifungula and styled by Lewis Munro, presenting Pierre in a sophisticated editorial portrait.

In coverage published by Tom + Lorenzo on October 13, Pierre was featured alongside Paul Anthony Kelly, Chiwetel Ejiofor and Tom Hiddleston as part of the magazine's Better Men issue.

During his accompanying conversation with Esquire's Johnny Davis, Pierre reflected on the uncertainty that accompanies professional success.

"I don't know if there's ever a feeling of relief or arrival," he explained, acknowledging the unpredictable nature of an acting career.

His observation offers an interesting contrast to the confidence audiences see in his performances.

Despite his growing visibility, Pierre's comments suggest that he remains aware of how quickly opportunities can change within the entertainment industry.

The title "The Beacon" is Esquire's own editorial description of Pierre. It also offers an interesting way of interpreting his growing presence within international entertainment.

From Rebel Ridge to Lanterns: A Career That Keeps Expanding

Pierre's appearance in Esquire's Better Men issue arrives after an impressive period of professional growth.

In Netflix's Rebel Ridge, he delivered a memorable performance as Terry Richmond, a former Marine confronting police corruption and abuse of power.

The role showcased Pierre's ability to balance physical intensity with restraint and emotional complexity.

He subsequently reached another international audience by voicing young Mufasa in Disney's Mufasa: The Lion King.

It was a significant departure from his live-action dramatic work and demonstrated his ability to navigate different storytelling formats.

His earlier performance in Barry Jenkins' The Underground Railroad also remains an important part of his artistic development.

More recently, his portrayal of John Stewart in DC's Lanterns has placed him firmly within the superhero genre.

The October 2026 Esquire coverage also highlights his romantic drama Love of Your Life, reflecting the range of projects associated with this phase of his career.

What makes Pierre's journey interesting is not merely the visibility of these productions, but the variety of characters and genres he has embraced.

A Leading Man Who Knows How to Dress the Part

Pierre's recognition at the Better Men Honours also created another memorable fashion moment.

According to Red Carpet Fashion Awards, the actor attended the ceremony in a double-breasted BOSS tuxedo with broad shawl lapels and a polka-dot pocket square.

Fashion writer Catherine Kallon praised the fit and styling, singling out Pierre's appearance in her October 22 review.

The choice of BOSS was particularly fitting.

Pierre has an established relationship with the fashion house, having previously discussed his role as a brand ambassador in an interview with Esquire.

His appearance at the ceremony demonstrated how his public image now extends across acting, fashion and luxury-brand partnerships.

For an increasingly visible international star, these connections can help introduce his work to audiences who may not yet know his filmography.

Why This Recognition Matters

Entertainment audiences are accustomed to seeing actors receive awards for outstanding performances, box-office achievements and professional milestones.

Esquire's Better Men Honours offers a different perspective.

The recognition is built around cultural influence and contemporary ideas about masculinity, rather than a competition for the year's best acting performance.

Pierre's inclusion is particularly noteworthy because he belongs to a generation of Black British performers establishing increasingly prominent careers across international entertainment.

His performances have introduced him to audiences through historical drama, action thrillers, animation and superhero storytelling.

Now, his presence on Esquire's Better Men cover and at the accompanying ceremony demonstrates how his recognition has expanded beyond individual productions.

For Nollywood Spotlight readers interested in African and Black talent working across global entertainment, Pierre's career offers a fascinating example of how versatility and international exposure can contribute to a growing artistic profile.

What's Next for Aaron Pierre?

As Pierre's international profile continues to expand, attention will inevitably remain on his upcoming performances and professional choices.

But his Esquire recognition introduces another dimension to his career.

He is being presented not simply as an actor enjoying a successful period, but as a cultural figure whose growing influence warrants wider attention.

His own comments about the unpredictability of acting also suggest that professional recognition has not removed his awareness of the challenges associated with sustaining a career.

And perhaps that is what makes this moment particularly interesting.

Esquire calls Aaron Pierre "The Beacon." His growing body of work suggests there may be many more chapters ahead for this increasingly prominent British leading man.

For now, the Better Men Honour provides another occasion to celebrate how far his career has come.

Join the Conversation

Do you think Aaron Pierre deserves the recognition he is receiving? Which of his performances impressed you most: Rebel Ridge, Mufasa: The Lion King, Lanterns or another role?

Share your thoughts in the comments below.


Sources

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